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AMOS MAC
Amos Mac (b. 1979) is an artist who photographs the dynamic, the artistic, the gender rebellious, the under-represented and beyond though voyeuristic, styled portraits. Preferring to shoot models in their personal spaces rather than in a studio, his photos have been described as "bright, saturated images of people and places who look fucked up and beautiful in equal measure" (SFMoma Blog).

He has shown his work in galleries and at events internationally and his photographs have been published widely and used in ad campaigns, bringing gender variant individuals visibility. In 2009 he formed Original Plumbing, the quarterly magazine on trans male culture, and brought his photographs on the first European tour of Sister Spit: The Next Generation. Most recently Amos Mac's photos can be found in collaboration with Italian Vogue, Manner Magazin (Germany), CANDY (Spain), McSweeney's, and others.
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I am a transsexual artist who feels a strong commitment and responsibility to document other people of trans experience in a truthful, intimate way. Showing trans people in their own spaces, with an insider's perspective, counters traditional outsiders' representations of trans people which tend toward the exotic, fetishistic, debased and false. My work is a collaboration between two trans people, artist and subject, in which both parties are free to be vulnerable, and the resulting work is an intimate conversation between two othered outsiders.

 

Justin Bond, 2010
C-print, 1/1
40 x 30"

 

James Darling, 2010
C-print, 1/1
40 x 30"

Khane, 2009
C-print, 1/1
40 x 30"

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KATIE KOTI
Katie Koti (b. 1979) grew up in Greenfield Massachusetts. Her work to date has focused on identity, desire, and embodiment, often using landscape to explore visceral connections between bodies, culture, and nature.

Koti is a member of the Yale MFA Photography class of 2012. She earned a BFA in Photography and Graphic Design (2010) at the Rhode Island School of Design. Before attending RISD, Koti graduated with Honors from Greenfield Community College, Massachusetts, where she studied Liberal and Media Arts. Koti shoots with an Ebony 4x5 field camera.
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The images in my current project, asunder, reflect my continuing photographic exploration of gender and its relationship to sexuality. The landscape works on various levels in my images. I use the seductive aesthetic appeal of landscape to engage the viewer, but the landscape is simultaneously represented as ambiguous. While it provides a familiar thread for viewers to access ideas of gender and sexuality that may otherwise be unfamiliar to them, I also use the landscape to build metaphorical, symbolic connections between nature and the culturally inscribed human body. These connections invite the viewer to experience and consider relationships between nature and the body in new ways.

Aspects of the pictured figures' identity are revealed when they are partially or entirely unclothed. Our society has attempted to define gender and sexuality into a rigid binary divide. There is often a sense of disconnection experienced as a result of not fitting into these boxes. I hope to challenge rigid dichotomies of identity and to expose the struggle an individual can go through inside of their own skin -- a struggle that is not only psychological, but also social and physical. I am particularly fascinated by the intersection of pain, clarity, and spirituality that can come from this struggle.